The Sony A7S III is a classic example a stellar 4K camera that can also capture 12MP stills. This section contains cameras that are designed for video first and stills second (or, in the case of the EOS C70, video only). See our full Canon EOS R7 review Video first There's plenty of play in the files, giving you lots of leeway for post-production, and the video quality is crisp and clear in both 4K and 1080p, with autofocus performance that won't let you down. In a lot of ways, shooting with the R7 really does feel like shooting with a mirrorless (read: sleeker and smaller) Canon EOS 90D – but with more bells and whistles. For now, we're very impressed with what the Canon EOS R7 can do. The camera features Canon Log-3, clean HDMI out, as well as a microphone input and headphone jack. In terms of video the Canon EOS R7 is quite the powerhouse, capable of un-cropped 4K 60p, 4K 30p oversampled from 7K, and 1080p up to 120p – and Canon tells us that you can record around 60 minutes of video before overheating and record limits come into play. See our full Fujifilm X-T5 review and lab tests If you're into traditional photography but want a camera that can handle video as well, the Fujifilm X-T5 is an excellent, up-to-date choice. On the shutter speed dial, there's a switch to go between stills and movie recording, and like all X-T series cameras, there's no top plate LCD to display settings. In terms of handling, the X-T5 favors manual dials to help you to take full control of the settings. F-log is Fuji’s proprietary log format, and it can be used to preserve more dynamic range and tonality from the sensor when recording video. The X-T5 supports F-Log2, a format that is wider than F-Log, expanding the dynamic range to 13+ stops. You get 6.2K movies at 30P in 4:2:2 10-bit color, but also the 4K HQ mode, which uses 6.2K over-sampling to produce high-quality video. It's a natural successor to the Fujifilm X-T4, and although the X-T5 isn't billed as a hybrid video camera, it's no slouch when it comes to movie capabilities. And we also pick a selection of models that are designed specifically for video alone.Īs far as APS-C compact cameras go, the Fujifilm X-T5 is up there with the best. This is where all the action is happening at the moment, as mirrorless cameras move upmarket and start to eat into the territory of professional cinema cameras – at a fraction of the price. In this guide, we've mainly got interchangeable lens cameras that offer strong 4K video capture capabilities but we have also included some of the best cameras for vlogging suited to content creators who shoot a lot of self-directed videos and hybrid cameras that suit both photographers and filmmakers.īelow are our best picks in the rapidly growing list of hybrid stills/video cameras that can handle every type of content creation. While some videographers might be able to get away with one of the best phones for video recording and vlogging, those at the top of their game should probably be looking at the best 8K and 6K cameras or the best cinema cameras. And if you are off to college, do check out our best cameras for film students. Whether you're a social media content creator or a specialist cinematographer, the best camera for filmmaking will depend on what you want to shoot and how much you want to spend.
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